File Size: 28340 KB
Print Length: 368 pages
Publisher: Mariner Books (September 3, 2013)
Publication Date: September 3, 2013
I'm a writing and English Lit pupil, and this was on par with many of the classics that I have had to read for school. The literary gimmicks were effective generally, although some of them didn't have to be in there. They didn't bother me though, I just thought that all the writer was being creative and trying something different, which I never think is a bad thing. If the gimmicks were in a poorly written novel I might have a problem with them, but the writing in this book is so well done that the author can throw in the blank pages and pictures and get away with it. It does not take away from the tale, and in many places makes it better.
Many reviewers are saying that the publication is contrived. I differ. First of all, hype is always "contrived" on some level. However, We believe that the people who have problems with the voice and characters in this novel aren't collecting on everything. Every main character in this publication has been touched seriously by devestating tragedy, the grandparents twice. When things of the magnitude happen, people react in their own ways. I didn't find the grandparents' habits unbelievable at all, I found it very believable. If they happen to have been normal people who never been involved in such horrific events, We would say it was not believable. Same thing with Oskar. Also, Oskar obviously has some type of Autism. This explains his high intelligence and quirks. He or she isn't a normal child. All the primary characters in this guide are lost people.
This book is very emotional, We didn't find it sentimental, but emotional. Perhaps some visitors didn't like it because they don't like unhappy stories. Perhaps many are too used to reading on a lower level and reading poor writing (not trying to be a snob here when the about three 50 Shades of Grey books top the Finest Seller list over and over again I have to question what America is reading reguarly that they can devour publications as poorly written as those). Or maybe some simply didn't like the style, and am can understand that. There are some very touching passages in this guide thoough, and it is worth a read. I know it's not for all though., I have just finished listening to the audio version of the book; I could see the movie a week ago. A fascinating comparison and an interesting adaptation to be able to facilitate the screenplay.
I agree with all of the reviewers who suggest that the narrator (Oskar) may be irritating at times; some of the situations - none the very least is his wanderings about the city - may appear a little far-fetched. But as often happens in writings, paintings, music - that are well written and carefully thought out - there becomes evident an incredible complexity of layers, that only surfaces as you reflect on the opus. Every time you think about the book, you get started to appreciate another facet of the story and character types, that might have eluded you earlier: the allegories, the juxtapositions, the nuances of the plot - We believe that that is a mark of an incredible creative effort.
I grew up in NYC, my sons live there and I also had grandparents who made it unspeakable challenges in their younger days during the war in Europe. This book, and movie, will linger in my brain for some time.
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