File Size: 183263 KB
Print Length: 320 pages
Publisher: The Monacelli Press (July 1, 2014)
Publication Date: July 1, 2014
The book itself then and its' structure; it starts off with a chapter on Coney Island, as being the laboratory for New york; if one can make it through this first chapter, one is well positioned for the next chapters dealing with Manhattan's development, until the last one, where the author shifts equipment suddenly, to get into the heads of two European celebrities of the Art & Architecture community, and basically finishes off the 'Manhattanism' process/period described in the previous chapters, thru the tales and eyes of such two. In phrases of reading, a somewhat discontinuous experience, and asking you (once more), to find his/her having on a new 'platform' of thought(s) / pondering, this time centered in regards to newly introduced idea of a so-called 'Paranoia-Critical-Method', and the aspects of Monomanía itself. It is far from quite clear why this shift is needed in view of the preceding chapters and history, and contribute to its core story, imho.
The book is surely an mental and theoretical method to Planning and Architectural history, where an objectivity has been maintained the majority of time, although one cannot miss the at times sarcastic/sceptical/comical shades, when describing rather weird instances and ideas in the history of New york. Nearly every paragraph, headed by a short keyword of its content/subject, is determined with a transcendental thought, a 'one-liner' offering a philosophical condensation of the growing step in the process, which in themselves are the little pearls the writer adds on a string (of the story-line).
Certainly one of the main values of the approach is that it puts Architecture, Planning and Design within an historical framework that's including cultural, socio- and financial forces, as much, and the majority of the time, more than the Architecture, Planning and Design and style itself. What tries to convey is a feeling of processes beyond any one's control, where the Architect, Engineer and Designer are basically the people providing the means to the forces that are occurring and framing the processes. Their 'ideas' appear as makeshift, when seen against a 'bigger picture' background, their unique 'Architectural' approach or style more or less irrelevant.
The book does include at the end, design proposals for Manhattan by the author / Architect round the time of writing / conception of the book (mid-seventies), that are introduced as visual illustrations of the principles discovered and described available. However, partly because of to the scale of the graphics included (small singular conceptual 3D images) and in part due to a listing of programmatic characteristics that you has been full with already a lot available, it doesn't really add to the story-line, imho. It seems that what you might expect, centered on knowing what we know now in regards to the author great job, that is a summarizing and a valuation of the principles in phrases of how they might be made to guide one in projects for the future, is a missing walking stone.
As such, the shown projects in a way act more as a 'smoke-screen' than an unveiling of a future 'manifesto' (or set of rules), since it is not clear what is 'different' than what you have come to see before, nor what value, rejection or acceptance, is put on it. The Architect did not come out and valuate what the author has distilled. Perhaps that got not happened to the point of conclusion yet, but instead what is presented appears to represent a phase of mesmerizing and fascination with this issue. Since such, the Architect and the subsequent work of any office remains a issue of study for me personally. One has to get started on someplace, and this is most likely an obligatory starting point., He goes into rigorous detail in explaining evidence for his " manifesto" but without dropping the reader. If you have ever read any art theory style writing then this will be understandable. It's not a completely normal style of writing but it's still very interesting and clear if you can pay attention. Certainly one of my favorite reads. There are instances of wonder (did that actually happen in New York? ), instances of enlightenment, and plenty of humor and irony, and even some heroes and villains (Le Corbusier as the tyrant who seeks to eliminate New York, Dali as the out of place European in America). Extremely enjoyable, I use read this more than once. Very recommend to anyone interested in architecture, design, or art history (and New York of course)., Fascinating from begin to finish. It is a gripping history of the town of recent York, tracing its architectural evolution from the Dutch's rational plotting the grid of Manhattan to Coney Island's early extravagance as a showcase for the bizarre to the manical explosion of sky scrapers. Intriguing is the story of Coney Island serving as an incubator for Manhattan's themes and personality of forms. Koolhaas, now a starchitect, wrote this goregous work decades before this individual would create his own masterpieces of architecture including the Seattle Library or Incapere de Musica. In a word brilliant., Here's an undergraduate structures student's perspective: I truly enjoyed this book! It's not hard to get into but be prepared to head to some pretty fantastical theories about New York. I actually couldn't help but think that a few of the explanations and narrative were somewhat forced to fit into some very memorable lines and headings. Just go with it though and you'll be glad you did; it's a captivating interpretation of New York that is certainly at least as valuable as whatever you'll find in as well as book., Koolhas doesn't need to the presentation. He could be a genius of the United states and global architecture. The particular importance of this book is related to look at the history of the development of Manhattan.
What is the perform of the skyscraper? During the financial boom of Reagan cycle, it is the symbol of the financial subcess, next the last crisis every skyscraper must give us a proper value. That is true, but it can mean a return to the original sense of the City, also to an architectural function of the available spaces., This classic is a must read for every architect, urbanist and Ny aficionado. Although written may years ago, the substance of the location, which Koolhaas effectively sensed and had written on its pages, make it one of the most offered and takled about publications about the urbanism and architecture of this unique city., Fragmented yet natural, this book captured the essence of recent York City's complicated architectural and city planning journey up to the 70s in a poetic narrative., Lucidly written, it manages to be simultaneously clear yet poetic. The book manages to be cynical of the phenomenon that is Ny while at the same time clearly being in admiration of it. Nicely worth a read for the romantics and the sceptics.
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